The Making of the Condé Museum at Chateau de Chantilly
February 15: The Making of the Condé Museum at Chateau de Chantilly
With Mathieu Deldicque, Director
Mathieu Deldicque, Director of the Condé Museum in the Château de Chantilly north of Paris, will introduce us to the greatest collector of his age, the Duc d’Aumale, fifth son of King Louis-Philippe and heir to the great fortune of his godfather the Prince de Condé, which the Duc d’Aumale spent collecting precious books, paintings, drawings and decorative art objects, and then building a château in which to house his vast collection. Upon his death in 1897, the Duc d’Aumale bequeathed to the Institut de France both the château and his collections, which include the second largest collection of antique paintings in France after the Louvre, and the 15th century illuminated manuscript “Les Très Riches Heures du Duc de Berry” (sometimes called “the Mona Lisa of manuscripts”). The Musée Condé opened in 1898, and has remained virtually unchanged ever since.
With Mathieu Deldicque, Director
Mathieu Deldicque, Director of the Condé Museum in the Château de Chantilly north of Paris, will introduce us to the greatest collector of his age, the Duc d’Aumale, fifth son of King Louis-Philippe and heir to the great fortune of his godfather the Prince de Condé, which the Duc d’Aumale spent collecting precious books, paintings, drawings and decorative art objects, and then building a château in which to house his vast collection. Upon his death in 1897, the Duc d’Aumale bequeathed to the Institut de France both the château and his collections, which include the second largest collection of antique paintings in France after the Louvre, and the 15th century illuminated manuscript “Les Très Riches Heures du Duc de Berry” (sometimes called “the Mona Lisa of manuscripts”). The Musée Condé opened in 1898, and has remained virtually unchanged ever since.